I Have No More Tears to Cry centers on my mother as both subject and collaborator, using inherited family photographs, new portraiture, and analog image destruction to excavate the layered history of our relationship. The approach moves between documentation and intervention — digitizing the past while physically altering the present — to probe how memory is constructed, shared, and distorted over time. At its core, the work asks whether photographic truth can be plural, and what it means to represent someone you are still in the process of knowing.

Images made between 2023-2025